Abstract
This article scientifically and theoretically analyzes the processes of formation of the musical culture of the Surkhandarya oasis as a national cultural heritage, its historical development stages, traditional performance characteristics, and modern development trends. The study highlights the role of the region's rich musical traditions, folk oral creativity, bakhshi and dostonchilik art, ceremonial songs, national instrumental performance, and folklore schools in the system of cultural heritage. Furthermore, the significance of Surkhandarya's musical culture in fostering national self-awareness, preserving historical memory, strengthening spiritual values, and ensuring intergenerational cultural continuity is examined. The research employs historical-comparative, cultural, ethnographic, and musicological analysis methods. The article also considers the impact of globalization, digital technologies, cultural tourism, and modern music education on the development of traditional musical heritage, and explores promising directions for its preservation. In conclusion, Surkhandarya's musical culture, with its centuries-old historical roots, rich folklore traditions, bakhshi and dostonchilik schools, and national instrumental performance, holds a special place in the intangible cultural heritage of the Uzbek people. Particularly, the Sherobod bakhshi school and Boysun folklore traditions are crucial factors defining the national identity of the oasis's musical culture. In the context of modern globalization, scientific study, digitalization, integration into the education system, and international promotion of this heritage are vital for ensuring its historical continuity.References
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